August 23rd, 2010
Realotext: Thinking of starts and origins implies a search for protection. Protection against the nameless, the infinite, the unconditioned. Art as well as focusing on media are offering possibilities to question this protection.
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August 16th, 2010
Magnes: Don’ t be silly, let’s think of ways to avoid strict rules and oppositions like good and bad.
Duchamp: A charming way could be to signal how oppositions and rules evolve. Where does the rectangle come from, why and how did mankind start to draw lines?
Realo: How brave and interesting, sorry but I prefer to watch Magneto.
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August 12th, 2010
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August 11th, 2010
Realotext: We have to exclude Duchamp. Yesterday he has set a link to Scientology. He did this with the picture of Sodahead.

This picture is an image for the slogan: Be the force with you! This is a slogan of Scientology. This is a slogan which reproduces a simple view on forces, a view which accepts only poles of good and bad energies.
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August 10th, 2010
There is no such thing as a start. We can only conceive start as a restart, as something which is created by a creator (god, the force), who was already there.
Duchampimage: Sodahead, be the force with you!
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August 7th, 2010
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August 1st, 2010
It starts with something and with another thing, a hidden thing, something that is part of the beyond, that has contoures shaped by the known. The known is linked with suspect, with all that frightens us.
Anxiety: All that we cannot calculate.
When did calculation start?
When did the “great” distinction become productive, the distinction between male and female, active and passive, minus and plus, sun and moon, earth and sky, south – north, west – east?
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July 29th, 2010
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July 24th, 2010
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July 24th, 2010
D.: I’ve never read Descartes to speak of. … I am not a Cartesian by pleasure. I happen to have been born a Cartesian. The French education is based on a sequence of strict logic. You carry it with you. *
*Eric Cameron: „Given”. In: De Duve, Thierry (ed.): The Definitively Unfinished Marcel Duchamp (Nova Scoatia College of Art and Design, Halifax Nova Scotia). Cambridge: MIT Press, 1991, p. 17.
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