Descartes` and Karmakars` challenging tongues I
Karmkars paintings show a tongue, a huge tongue which licks and caresses, sucks parts of a body. It is a self affecting tongue, a tongue which explores and worships and nearly eats parts of the body to which it belongs.
The title “I love therefore I am” invites to relate this tongue to loving and being. But Karmakar is not writing about his tongue and the body belonging to this tongue. Karmakar paints something which stands not in a direct logical chain of reasoning with this words.
Therefore the title serves as an uncanny invitation. It invites not to reason according to linguistic paths, but to follow the gaze towards strange moments, towards somebody `s affection of or for himself.
Nils Röller New Delhi/Sanskriti Kendra