D.: And color? The perception of color is not equally distributed. It opens a realm of fuzziness, which we have to overcome by a non-retinal art.
J.: Overcoming, to overcome something, that we cannot think. We can just subvert what we have made, what we have read, written or thought.

Some say that line and color are subjects too difficult for a short note, other say they are not worth to talk about; Magnes suggests do reflect a line as a conjunction. A line is a line of force which runs from one pole to the other. J. doubts that. Speaking about poles is just a reflection of a theological figure: The figure of god and men. Writing is a sort of alignment between men and god.

D.: And color? The perception of color is not equally distributed. It opens a realm of fuzziness, which we have to overcome by a non-retinal art.

Desperatly, I am longing for poetry; the other, which – like many other objects of desire – cannot be achieved merely by will, discipline and violence.

Jabès: The power which god sheds upon us, puts him into question. Questioning we are able to confront our powerlessness. Disputes are trainings in this confrontation. Poetry, art also. Commerationg disputes, artists, poets is away of continuing their struggle with power. One face of power is nihilsm.

Darya von Berner: Serie Flusser-Frascos de gel: Regreso-2, photographic paper Ilford Flex, silicon-coated plexiglass over aluminium 0,57 x 0,40, Madrid 2001

Darya von Berner: Serie Flusser-Frascos de champú: lista de espera, photographic paper Ilford Flex, silicon-coated plexiglass over aluminium, 0,84 x 1,24, Madrid 2001

Darya von Berner: Serie Flusser-Frascos de champú: Autismo, photographic paper Ilford Flex, silicon-coated plexiglass over aluminium 1,80 x 1,21, Madrid 2001